[Accepting the point for what it is, Dorian takes a careful kiss. He works through it as if it were a negotiation of territory; for each moment he seizes, he waits for a signal of Judas's acceptance, and then he takes more. But in that slow built there is much of what Dorian has denied himself for all this time. He has felt alone, and now he wants to erase the feeling.]
[Dorian smiles involuntarily at the gesture, as if he were a boy again and such things carried twice their weight.] What are you in the mood for? Something cheerful or lighthearted, sorrowful, contemplative . . .
[After a moment of sorting through his options, Dorian decides to work through Variations brillantes Op. 12 for Judas, in part for the simple pleasure of the piece.]
[Judas considers leaning against the side of the piano to listen, but worries about unbalancing it. So instead he sits on the branch and closes his eyes.]
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You raise a good point.
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...Standing on the ground or at least sitting might be a little easier.
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[With a smile, he gives Judas space.] And I was wanting to keep playing. You're not the only pretty thing I want to make up for lost time with.
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Is it sacrilege for me to listen in my shirt front?
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[Grinning, he kisses Dorian's cheek.]
What have you got to play?
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[After a moment of sorting through his options, Dorian decides to work through Variations brillantes Op. 12 for Judas, in part for the simple pleasure of the piece.]
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It's nice. Calming, really.
[He doesn't say just how good that is for him.]
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